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Architecture is evolutionary—not revolutionary.

Tom Kundig

Principal / Owner & Founder | FAIA, RIBA

Tom Kundig, FAIA, RIBA, has spent over four decades crafting award-winning architecture across six continents. He finds joy in the grit and determination needed to innovate, creating functional architecture that responds to context and reflects the stories of its users. After years of honing his distinctive style, Tom became a principal and owner of Olson Kundig in 1996. His portfolio spans a range of built and ongoing projects, from adaptive reuse developments and hospitality destinations to sports facilities and venues, museums, wineries, private homes, and more.

Elemental Experimentation

Tom’s architecture is driven by a longstanding curiosity in the interaction between people and their environments. He approaches each project with an elemental understanding of the physics of movement—both human and tectonic—materiality, and detail, creating architecture that is approachable and deferential to its surroundings. This holistic approach considers the full range of project tectonics, producing architecture that is quietly powerful and profoundly human.

You’re not trying to compete with the landscape, you’re trying to find where the architecture belongs within that landscape, whether you’re building in the rural landscape or a big city.Tom Kundig, FAIA, RIBA
Principal / Owner & Founder

Despite the evolving scope and complexity of his work, Tom continues to return to small projects, which serve as laboratories for research and experimentation. These intimate, agile projects allow him to distill materiality and tectonics to their core, testing, iterating, and refining concepts. Incorporating the expertise of artists, craftspeople, engineers, and other collaborators, Tom leverages this knowledge to challenge design conventions, pushing his work to constantly evolve. His projects are innovative while responsive to their context, whether a private home or a high-tech research facility.

Photo of Analog House sitting among trees
Homes and small projects are like little jazz moments—you can experiment, you can play. You’re getting close to the meaning of being human. Everything on a small project is so contextually based: it’s the client, the landscape, the program, the budget, the materials. It’s the tectonicsTom Kundig, FAIA, RIBA
Principal / Owner & Founder

Responsive Design

Tom’s work often integrates kinetic design, sometimes referred to as gizmos. These simple machines engage the human body to create dynamic architecture. Here, the human body plays a crucial role, physically acting upon the machine to make spaces move and morph to adapt to changing user needs. Each kinetic element frames an elegant, straight-forward solution to a specific design challenge.

Custom-designed for specific site conditions, these mechanisms can make small spaces expansive, connect separate zones, and blur the threshold between indoors and outdoors. They encourage people to attune to their evolving needs and become more aware of their impact, fostering a deeper connection to the environment.

The work of Tom Kundig takes your hand and says, ‘Stop for a moment and be aware of what you are doing and where you are.'Billie Tsien 

Awards & Recognition

Tom has been recognized by over 230 individual and project awards. He is one of the American Institute of Architects’ (AIA) most distinguished members, receiving over 80 local, regional, and national awards. At the national level, his work has been honored with 10 National Honor Architecture Awards (Studhorse, Martin’s Lane Winery, and Wagner Education Center at the Center for Wooden Boats, among others), National Housing Awards (Delta Shelter, Outpost, and Sol Duc Cabin, among others), National Interior Architecture Awards (The Pierre and Charles Smith Wines Tasting Room & World Headquarters), Small Project Awards (Costa Rica Treehouse and Sawmill), and a COTE Top Ten Award (Sawmill). Juries have noted his work is, “Elegant in its simplicity,” and remarked, “This is a ‘wish you had done it’ project.”

Individually, he has received a National Design Award in Architecture from the Cooper Hewitt Smithsonian Design Museum, an Academy Award in Architecture from the American Academy of Arts and Letters, election to the National Academy as an Academician in Architecture, and the AIA Seattle Gold Medal. Wallpaper* 400 has also named him a “tastemaker” defining America’s creative landscape.

Under his leadership, Olson Kundig won the 2009 National AIA Architecture Firm Award and has been named one of the Top Ten Most Innovative Companies in Architecture four times by Fast Company. The firm has been featured 16 times on Architectural Digest’s AD100 list, honoring top international talent in architecture and design.

Center for Wooden Boats

Influence

Tom expands the conversation around design through books, interviews, and publications, reaching a broad audience beyond the profession. His work and perspectives are published in four monographs: Tom Kundig: Houses (2006) and Tom Kundig: Houses 2 (2011), which are Princeton Architectural Press’s best-selling architecture books of all time, with over 36,000 copies sold; Tom Kundig: Works (2015) reprinted three times; and Tom Kundig: Working Title (2020). A fifth monograph will be published by Monacelli Press in 2025.

His work has been widely published in outlets like The New York Times,  ARCHITECT,  Architectural Record,  Architectural Digest, Hauser, The Plan, and Wallpaper*, among others. Additionally, Tom’s projects also appear in architecture books from leading publishers, including Phaidon, Monacelli, Thames and Hudson, Simon & Schuster, and Taschen.

Design Leadership

Tom engages with both live and digital audiences worldwide, serving on juries for the AIA, Dezeen, and Architizer A+ award programs, among others. He frequently speaks at colleges, universities, industry events, and on podcasts, including the AIA National Convention, AIA Custom Residential Architects Network (CRAN) Symposium, Nike’s Guest Speaker Series, US Modernism podcast, Time Sensitive podcast, the Burke Museum, and the Telluride Art + Architecture Festival.

Previously, Tom has been a studio critic at Harvard University, the University of Oregon in Kyoto, and the University of Arkansas. He has also held positions as the D. Kenneth Sargent Visiting Design Critic at Syracuse University and the Jon Adams Jerde Chair in Architecture at USC. His award-winning designs have been exhibited at the American Academy of Arts and Letters, the Istanbul Design Biennial, Syracuse University, the National Building Museum, and the TOTO GALLERY MA in Tokyo.

In mountain climbing, it’s not about getting to the top; it’s about how you get to the top. It’s the elegance, the efficiency, the time, the skills. Developing that kind of discipline has followed me through my architecture. Tom Kundig, FAIA, RIBA
Principal / Owner & Founder
I want to actively engage the craftsperson, the maker, the builder, because they’re making a physical thing out of the thing I drew, and learning about their process improves the way I think about design and impacts how I draw the next thing.Tom Kundig, FAIA, RIBA
Principal / Owner & Founder
Burke Museum of Natural History and Culture Exterior
Gizmos blend functionality and poetry. They make you think more deeply about how you take up space, which in turn promotes a sense of stewardship for that space. I’ve completed numerous gizmos and continue to experiment with Olson Kundig’s gizmo expert, Phil Turner.Tom Kundig, FAIA, RIBA
Principal / Owner & Founder

Tom Kundig: Working Title

Princeton Architectural Press | 2020/06

Architect Tom Kundig’s work, which draws heavily on context and place, both urban and rural, is evidence of his longstanding interest in the ways people interact with built and natural environments. This keen sensitivity has been honed throughout his extensive career designing private residences, but it is just as present in his larger scale work. Sampling 29 recent projects from around the world, this large-format fourth monograph showcases Kundig’s signature attention to innovation, materiality and craft. Introduced by journalist Mark Rozzo, Tom Kundig: Working Title also features Tom’s University of Washington Distinguished Alumni Award acceptance speech and a conversation with Michael Chaiken, Curator of the Bob Dylan Archive. The projects that follow these narrative explorations span the globe, representing a variety of public and private work including residences, hospitality projects, cultural spaces and workplaces, presented through stunning full-color photographs, plans and sketches. Featured projects include houses in the United States, Australia, Costa Rica, Brazil and Switzerland; cultural facilities like the Burke Museum of Natural History and Culture in Seattle, WA; Austin restaurant, Comedor; Martin’s Lane Winery in British Columbia, Canada (cover image); and a high-performance tower for South Korean retailer Shinsegae International, among others. Introduction by Mark Rozzo Published by Princeton Architectural Press

Tom Kundig: Works

Princeton Architectural Press | 2015/11

In Tom Kundig: Works, the celebrated Seattle-based architect presents nineteen new projects, from Hawaii to New York City. Kundig’s award-winning houses, known for their rugged yet elegant and welcoming style, are showcased in lush photography with drawings and sketches, and appear alongside his commercial work—from multistory complexes to the Tacoma Art Museum to a line of hardware (handles, door pulls, hinges, and more). In firsthand accounts, Kundig describes the projects and his design process with many personal anecdotes, making Tom Kundig: Works as much memoir as monograph. The book also includes an introduction by design journalist Pilar Viladas and three revealing conversations with the architect and his frequent collaborators: gizmologist Phil Turner (the man behind the amazing mechanical apparatuses featured in much of Kundig’s work), contractor Jim Dow of Schuchart/Dow (master builder and craftsman responsible for many of the projects), and clients Shane Atchison of Studhorse and Jack Anderson of the Bigwood Residence. Published by Princeton Architectural Press.

Tom Kundig: Houses 2

Princeton Architectural Press | 2011/09

Our 2006 monograph Tom Kundig: Houses was an instant critical and commercial success. Over the past five years, Seattle-based Kundig has continued his meteoric rise, collecting numerous awards, including the 2008 Cooper-Hewitt National Design Award for Architecture Design. Tom Kundig: Houses 2 features seventeen residential projects, ranging from a five hundred-square-foot cabin in the woods to a house carved into and built out of solid rock. In his new work, Kundig continues to strike a balance between raw and refined and modern and warm, creating inviting spaces with a strong sense of place. The houses seamlessly incorporate his signature inventive details, rich materials, and stunning sites from the majestic Northwestern forest to the severe high desert. Published by Princeton Architectural Press

Tom Kundig: Houses

Princeton Architectural Press | 2006/12

The work of Seattle-based architect Tom Kundig has been called both raw and refined, as well as super-crafted and warm. Kundig’s projects, especially his houses, uniquely combine these two seemingly disparate sets of characteristics to produce some of the most inventive structures found in the architecture world today. Kundig’s internationally acclaimed work is inspired by both the industrial structures with which he grew up in the Pacific Northwest and the vibrant craft cultures that are fostered there. His buildings uniquely meld industrial sensibilities and materials such as Cor-ten steel and concrete with an intuitive understanding of scale. As Kundig states, “The idea is inseparable from the fabrication, inseparable from the materials used.” Tom Kundig: Houses presents five projects in depth, from their early conceptual sketches to their final lovingly wrought, intimate details. Kundig’s houses reflect a sustained and active collaborative process between designer, craftsmen, and owners, resulting in houses that bring to life the architect’s intentions, the materials used, and lines of unforgettable beauty. Edited by Dung Ngo Published by Princeton Architectural Press

Olson Sundberg Kundig Allen Architects: Architecture, Art, and Craft

The Monacelli Press | 2003/01

Over 35 years, Olson Sundberg Kundig Allen Architects created a body of architecture recognized for its ability to merge notions of materiality, craft and lightness, all of which are richly demonstrated in their work on art collectors’ residences and art museums. The firm began its creative existence with architect Jim Olson, whose work in the late 1960s explored the complex relationship between dwellings and the landscape they inhabit. In the early 1970s the growing firm broadened its emphasis to include urbanism and the landscape of the city. Though firmly rooted in the regional features of the Pacific Northwest—its unique climate and dramatic landscape—the firm’s work extends beyond any regionalist classification. Instead, their projects are characterized by a relaxed modernism that is attuned to its regional context. Each of the projects featured in this volume exhibit a striking use of both natural and highly refined materials, masterful modulation of light, a careful balance between monumentality and intimacy, and frequent collaborations with artists and craftsmen, especially glass artists such as Ed Carpenter. Essay by Paul Goldberger Published by The Monacelli Press

Projects