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Outpost

Bellevue, Idaho

Set in the remote, harsh high desert of Idaho, Outpost is an artist’s live/work studio and sculpture garden. The compact footprint of the house is the limit of intrusion into the land: a simple, clearly defined space with an enclosed “paradise garden” protected from the wind.

A readily available construction material—concrete block—is used for the primary structure; commercial builders were able to quickly and cheaply assemble the building. Interior materials are left largely unfinished. Kundig describes the concept as a Tootsie Roll Pop: hard on the outside and soft on the inside. Interior finishes include unfinished recycled fir floors, walls, and cabinets; plaster made from natural clays and pigments; and Carrara marble kitchen counters. Other materials used in the structure, including the concrete block, car decking (structural tongue-and-groove material), and plywood, require little or no maintenance and are capable of withstanding the extreme weather that characterize the desert’s four seasons.

The house is designed around one open, multifunctional room overlooked by a mezzanine bedroom, with separate studio/office and utility spaces on a lower entry level. Elevated above the ground (snowpack in winter), the main living levels have 360-degree views of the surrounding high desert and mountains. In a windy environment, the enclosed garden provides protection to develop a cultured space. Nothing outside the walls is modified.

When you grow up in the Palouse or you spend time in the high desert, you learn very quickly how insignificant your place in that larger landscape is. To this day, I think that influences virtually every decision I make about architecture in its context. Tom Kundig, FAIA, RIBA
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