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The Bob Dylan Center

Tulsa, Oklahoma

More than a monument to a rock star, the new Bob Dylan Center in Tulsa’s Arts District invites artists, historians, musicologists, and the public to explore Dylan’s work, influences, and those inspired by his legacy. Exhibits draw from items in the Bob Dylan Archive—a collection of more than 100,000 handwritten manuscripts, notebooks and correspondence, films, videos, artwork, memorabilia, original studio recordings, and more—to trace Dylan’s career and artist output as a portrait of creative transformation, inviting visitors to draw parallels to and inspiration for their own lives.

Bob Dylan Center

A Strategy for Re‑use

The project was originally located in the corner volume of the former Tulsa Paper Company; however, low ceiling heights in this space would mean extensive renovation or expansion to an empty lot next door. Economic and sustainability considerations, as well as existing architectural features, led the team to ultimately select the adjacent space for the Bob Dylan Center when it became available.

Layers of History

Located in a former paper factory, the Bob Dylan Center features a hand‑painted mural, based on a rare photo of Dylan. This portrait adds to the existing layers of graphic history on the building exterior, allowing 100 years of “ghost signage” to show through. The façade design also establishes the consistent branding and graphics that continue throughout the museum’s interior.

A Cubist Portrait

Inspired by films like The Rolling Thunder Review, I’m Not There, and Rashomon—which explore themes of truth and falsehood reflected in Dylan’s life and work—the exhibit design approach features multiple points of view, including filmmakers, historians, a rock star, a graffiti artist, archivists, and dozens more. The result is a “cubist portrait” that depicts Dylan from many angles, creating a collective perspective of his artistic contributions and providing the foundation for interactive storytelling.

A Multi‑Faceted Artist

The Bob Dylan Center traces the creative trajectory of Dylan’s long career, showcasing his many creative outlets—including a sculptural steel gate at the entry, created by Dylan especially for the new museum.

Engaging Diverse Users

Exhibits and immersive spaces throughout the museum are designed to provide a meaningful and engaging experience for visitors with a wide range of knowledge about—and interest in—Bob Dylan. An immersive multimedia space acts as a common introduction to museum, establishing a baseline for all visitors. Large photographs and quotes from Bob Dylan underscore over-arching themes for visitors who prefer to skim through the museum’s collection, while digital interactives invite users to dive more deeply into the stories and history of specific items on display. Due to Dylan’s prolific creative output and the constantly changing collection of materials, spaces throughout the museum are designed for ease of updating, allowing exhibits to evolve as new stories and artifacts come to light.

Bob Dylan Center interactive exhibits
Bob Dylan Center

Strategic Use of Existing Features

The interior architecture approach framed the existing historic building as a found object, celebrating its unique properties and allowing these existing conditions to inform the design. This approach avoided intensive and unnecessary structural changes, limiting these changes to an added staircase and a removed wall. Existing interior columns, typically a problematic element in a gallery space, provided a functional armature for dual-sided exhibit cases in the Six Songs area.

Designing the User Pathway

An immersive audio guide by Art Processors provides an interactive, eyes‑up experience that uses location awareness to seamlessly envelop visitors in the songs and eras of Bob Dylan as they move through the exhibits. These self‑guided exhibits and intuitive pathway allow each visitor to determine to depth of their engagement.

Multiple Learning Modalities

The exhibits employ a range of multi-sensory techniques for engaging visitors, inviting them to read, listen, touch, and interact with elements throughout the Bob Dylan Center, as directed by their own curiosity. Through interactive areas such as a chalkboard wall and a magnetic poetry wall, visitors are invited to contribute their own perspective to the center, creating a living exhibit that reflects the voice of the visitor.

New Techniques for Storytelling

An interactive recording studio environment invites visitors to experiment with layers of recordings on Bob Dylan’s music, re‑mixing new versions of familiar classics. To further immerse guests, the recording studio interactive by 59 Productions features a three‑dimensional model built in perspective with video projected across the surface.

Transitional Stair

The wood and steel stair with a quote printed on the risers draws visitors to the second floor, which features stories of creativity and artistic pursuits beyond Bob Dylan. Rarely seen photographer’s contact sheets by Lisa Law frame the stairway as visitors return to the first floor exhibits dedicated to Dylan’s creative works.

Turning the Archive Inside‑Out

The new Bob Dylan Center is also the home of the Bob Dylan Archive. Though the Archive itself is closed to the public due to conservation and security concerns, an expansive gallery wall effectively turns this protected space inside-out, showcasing a rotating selection of items from the collection within 94 display cases. A digital interactive platform further allows visitors to learn more about the history and importance of any of the items on display.

Rather than create a monument to Bob Dylan in the traditional music museum sense, we imagined a synoptic, continually changing and highly programmed facility that will transform and grow along with the accompanying Bob Dylan Archive. The resulting design allows the Center to spill outside the building into the Tulsa Arts District community, and conversely, for the interior life and activity of the exhibits and programs to be visible long before visitors cross the entry threshold. Alan Maskin
Design Principal

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